Diplomacy Journal

주메뉴 바로가기
본문 바로가기

닫기

Foreign Minister Cho Hyun Meets US Sen. McCormick, Calls for Congressional Support for South Korea-US Alliance

Cho asks for continued backing to deliver tangible results from the Joint Fact Sheet, while McCormick praises Korean investment in the United States

Diplomacy Journal Kim Tae Yeon | SEOUL – Foreign Minister Cho Hyun met on Thursday with visiting US Sen. Dave McCormick, a Republican from Pennsylvania, to discuss South Korea-US relations and peace on the Korean Peninsula, the Foreign Ministry said. The two held the talks over a breakfast meeting on Oct. 8. Cho noted that the leaders of the two countries reaffirmed their commitment to faithfully implementing the Joint Fact Sheet (JFS) at their summit on Sept. 22. He asked McCormick for continued interest and support so that the two countries can quickly produce visible results that people in both nations can feel. Cho also pointed out that Pennsylvania is home to the Philly Shipyard, a symbol of strategic cooperation between the two countries. He expressed hope that Seoul and Washington would strengthen cooperation not only on investment in the United States but also in shipbuilding, nuclear energy and security, lifting the alliance to a new level. He further said he expects congressional attention and support for institutional improvements needed to help Korean companies carry out their investments smoothly. McCormick, for his part, praised South Korea's investment in the United States for contributing to job creation and the revival of American manufacturing, including in Pennsylvania, which he represents. He added that the investment also helps strengthen US maritime security. The senator pledged to cooperate actively so that the alliance continues to develop without wavering, and to maintain his interest and support for the faithful implementation of concrete measures to deepen bilateral cooperation. Cho also explained the South Korean government's efforts to achieve peace and stability on the Korean Peninsula and in the wider region, in close coordination with the United States. McCormick expressed his appreciation and said the US Congress would continue to provide the support needed toward that end.
Bridging social discourse and artistic practice: Public art project, “Third Paradise Seoul 2026," to be launched

- Second edition following last year’s Paju DMZ project - Jointly organized by the Italian Cultural Institute in Seoul, the Seoul Foundation for Arts and Culture, and Cittadellarte - 14 collaborative projects to take place on October 15 at the Seoul Arts & Culture Education Center (Yongsan)

Diplomacy Journal Kim Tae Yeon | Third Paradise Seoul 2026" to be launched The public art project, "Third Paradise Seoul 2026", which aims to transform social discourse into artistic practice and explore possibilities for peace and a sustainable future through art, will be held on October 15 at the Seoul Arts & Culture Education Center in Yongsan-gu Ward in Seoul. Jointly organized by the Italian Cultural Institute in Seoul (led by Director Davide Scalmani), the Seoul Foundation for Arts and Culture (led by CEO Song Hyun-jong), and the Pistoletto Cittadellarte Foundation (Director Paolo Naldini), this project marks the second iteration following last year’s "Third Paradise DMZ: Participatory Democracy in Korea," held at Camp Greaves in Paju. From the DMZ to Seoul: Social practice continued through art: "The Third Paradise Seoul 2026" is grounded in the concepts of "Demopraxy" (participatory democracy) and "Preventive Peace," established by Cittadellarte Director Paolo Naldini and Italian artist Michelangelo Pistoletto. As part of the "Democratic Opera" initiative—conducted in over 50 cities worldwide—this project aims to expand the role of art as a medium for social dialogue and collective action. Last September, at the "Third Paradise DMZ" event held at Camp Greaves near the DMZ border, 40 civil society activists gathered to discuss various pressing issues facing Korean society, such as loneliness, boundaries, care, resilience, and active engagement. The project taking place in Seoul this year goes a step further by connecting civil society activists with artists. The concept involves combining the issues and concerns raised in the field of social activism with the creative language of artists, thereby transforming social discourse into concrete artistic practice. One-on-One Collaboration Between Activists and Artists: 14 Projects Launched In this project, activists and artists engage in one-on-one collaborative artistic work. A total of 14 collaborative teams are proposing projects linked to social and environmental challenges, exploring how art can practice "preventive peace" and contribute to social change. Participating teams include: GongGam Human Rights Law Foundation + Kim Eun-jeong; Myongji University Research Institute for Community Children’s Culture + Oh Ha-som; Muui + Seo Won-tae; Sun (Incorporated Association) + Park Shin-young/Lee Hap; Korea Honeybee Ecology & Environment Protection Association + Moon Chae-min/Shin A-young; Songha Garden Research Institute + Peace of Peace (Cheon Geun-seong); Organic Punk + Cheon Yu-seon; Wish Builder + Gong Hyun-jin; House Embracing Peace + Ahn Gyeong-jin; Korea Lesbian Counseling Center + Yang Seung-wook; HeArt + Choi Young; DMZ Biodiversity Research Institute + Lee Ryeo-jin; Iha-dong + Kim Tae-hee; and Franco Ylenia + Migration Story Project (Kim Yang-woo). 14 Projects to be Unveiled at Art Center Nabi Next January The 14 art projects created through "The Third Paradise Seoul 2026" are scheduled to be unveiled to the public at Art Center Nabi in January 2027. The exhibition will showcase newly created works alongside the "Practicing Democracy" project and archives from last year's "The Third Paradise DMZ." Through this, the organizers plan to demonstrate the process by which social discourse evolves into artistic practice and to foster active communication with visitors by running citizen participation programs. Notably, the initiative stands out for returning the art projects to the activists' actual sites of operation after the exhibition concludes. The aim is to ensure that the artistic work does not remain a one-time exhibition but instead serves as a medium to expand the scope of civil society activities and convey meaningful messages. Creating peace before war breaks out... ‘Preventive Peace’ One of the key concepts underpinning this project is ‘Preventive Peace.’ Pistoletto took note of the global anti-war movements that emerged during the Iraq War in 2003. He saw, in the phenomenon of countless citizens across nations and borders raising their voices against war, the potential for democratic expression on a global scale. Stemming from this experience, the concept of preventive peace moves beyond the conventional approach of restoring peace after war and violence have already occurred; instead, it advocates for creating the cultural, social, and civic conditions necessary to prevent violence from arising in the first place. It views peace not merely as the absence of war, but as a shared responsibility and a continuous, collective practice woven into everyday life. ‘Demopraxy’… Art as a Catalyst for Collective Action Another core concept, ‘Demopraxy’ (a term combining *demos* and *praxis*), emphasizes that democracy should not remain confined to institutions and discourse but must translate into concrete action and practice. In this context, art transcends mere aesthetic expression to become an active tool that fosters dialogue and reflection regarding humanity, the planet, and the future. Based on these principles, Pistoletto and Cittadellarte launched the ‘Demopraxy’ initiative. They connect local organizations dedicated to sustainability, peace, and social innovation, seeking ways to address issues such as the environmental crisis and social inequality through collaborative artistic practice. The process itself—in which artists, experts, and civil society engage in dialogue, create together, and formulate concrete proposals—is viewed as a form of social artistic practice. A New Balance Between Nature and the Artificial: ‘Third Paradise’ The project’s title, ‘Third Paradise,’ represents a core concept in Pistoletto’s artistic philosophy. Pistoletto describes the world where humans were fully integrated with nature as the ‘First Paradise,’ and the artificial world created by humans through science and technology as the ‘Second Paradise.’ He proposes the ‘Third Paradise’ as the next stage for humanity—one that establishes a new balance between nature and the artificial. Emphasizing that "we are gardeners who must protect this Earth and heal the human society living within it," he asserts that everyone shares responsibility for the planet's future. The symbol of the ‘Third Paradise’—three interconnected circles—embodies this philosophy. While the outer circles represent diverse and often contradictory elements—such as nature and the artificial, the central circle signifies the space where these distinct worlds meet, giving birth to a new humanity and a new future. How Can Art Transform Society? Ultimately, ‘Third Paradise Seoul 2026’ centers on a single question: How does art view the social issues we face, how does it connect people, and what kind of change can it bring about? This project—which begins with social dialogue in the DMZ, expands into artworks and actions through collaborations with artists in Seoul, and returns to the realm of civil society—aims to shift art beyond mere appreciation into the spheres of participation, reflection, and communal action. Photo Captions: Photo Caption ① ‘Third Paradise Seoul 2026,’ a public art project bridging social discourse and artistic practice, will take place on October 15 at the Seoul Culture & Arts Education Center Yongsan. Jointly organized by the Italian Cultural Institute in Seoul, the Seoul Foundation for Arts and Culture, and the Pistoletto Cittadellarte Foundation. (Poster) Photo Caption ② A view of the "Third Paradise DMZ: Korea’s Participatory Democracy" forum held last September at the Camp Greaves gymnasium in Paju. Civil society activists exchanged views on key issues facing Korean society. Photo courtesy of the Italian Cultural Institute in Seoul / Yoon Su-yeon
Singer Jang Hye-jin meets the general public as a visual artist: Solo exhibition entitled, "Unfamiliarity within Familiarity"

- October 17 to November 26 at Gallery Sejul (in Pyeongchang-dong): "An artistic world expanding from music to painting" - Exploring layers of time, memory and emotion hidden within familiar landscapes: Illuminating an "invisible forest" - Co-hosted by Gallery Sejul and Gallery Pines: "Encountering a world beyond the visible"

Diplomacy Journal Kim Tae Yeon | Singer Jang Hye-jin, who has long been connected with the general public through her uniquely emotive voice, is now meeting audiences as a visual artist. Gallery Sejul and Gallery Pines are co-hosting Jang Hye-jin’s solo exhibition, "Unfamiliarity within Familiarity," at Gallery Sejul in Pyeongchang-dong, Jongno-gu, Seoul, from October 17th to November 26th. A VIP preview for invited guests will be held on October 16. The exhibition is co-curated by Eom Seon-mi, director of Gallery Pines, and Lee Jun-sang, director of Gallery Sejul. In this exhibition, Jang Hye-jin expands the auditory sensibility she cultivated through music into the realm of visual art, unfolding onto the canvas the layers of time, memory, and emotion hidden within the landscapes and objects we encounter in our daily lives. For a long time, Jang Hye-jin has conveyed human emotions and life stories through music. In this exhibition, she tells a different kind of artistic story—not through sound and melody, but through color, light, form, and texture. The question she poses through her work is clear. "Does what we see truly reveal the essence of the subject?" Rather than merely reproducing the forms visible before the eyes, the artist focuses on the memories, emotions, and traces of time accumulated beneath the surface. The idea is that a single landscape can transform into an entirely different world depending on who is viewing it, when, and with what state of mind. The exhibition title, "Unfamiliarity within Familiarity," captures the subtle boundary between the familiar routines of daily life and the sudden, unfamiliar sensations discovered within them. Even a landscape that seems to remain constant transforms into a new world the moment the viewer’s gaze and perception shift. For Jang Hye-jin, the forms on the canvas are not self-contained objects but gateways into an unseen world. The layered colors, textures, light, and shapes transcend specific objects, evoking the unique memories and emotions of each viewer. This characteristic is clearly evident in the artwork featured on the exhibition poster. Amidst a dense forest of trees rendered in vivid colors, a white deer gazes back at the viewer. The familiar space of the "forest" shifts into an unfamiliar realm where the boundaries between reality and fantasy blur. A key concept of this exhibition is the "unseen forest." To the artist, the forest is more than just a natural landscape; it symbolizes an alternate world—one that exists right before our eyes yet often goes unnoticed. As viewers step into the canvas, drawn by the vivid forms and intense colors, they encounter the layers of light, time, and memory accumulated beneath the surface. Thus, Jang Hye-jin’s forest extends beyond a landscape meant merely for visual appreciation; it becomes an internal space that invites viewers to explore their own memories and emotions. This solo exhibition is notable for offering a simultaneous encounter with "singer Jang Hye-jin," a figure familiar to the public, and "artist Jang Hye-jin," who is building her own world through visual art. Just as a song conveys emotion through the spaces between notes, her paintings generate new sensations in the interplay between colors and forms. Although the modes of expression--music and visual art--differ, Jang Hye-jin’s two artistic worlds converge in their shared exploration of human memory and emotion. Eom Seon-mi, Director of Gallery Pines and the exhibition’s chief curator, stated, "This project, in which artist Jang Hye-jin--who has long communicated with the public through sound and melody--illuminates a 'world of unfamiliarity within the familiar' via visual media, will serve as a special opportunity for viewers to awaken senses that lie beyond the visible." She added, "I hope that through this exhibition, visitors will encounter yet another world--one they had not previously discovered--within the landscapes that are familiar to them." Jang Hye-jin has long touched people's memories and emotions with her voice; now, she poses questions to the audience through the forests, light, and colors on her canvases. What lies beyond the landscapes we consider familiar? Jang Hye-jin’s solo exhibition, *Unfamiliarity within the Familiar*, invites us to re-examine the world we know and promises to be a journey of discovering hidden layers of time and memory lying just beyond the surface. Exhibition overview: Title: Jang Hye-jin Solo Exhibition: 'Unfamiliarity within the Familiar' Dates: October 17 – November 26, 2026 VIP Preview: October 16, 2026 (Preview by invitation) Venue: Gallery Sejul (40 Pyeongchang 30-gil, Jongno-gu, Seoul) Co-hosted and organized by Gallery Sejul and Gallery Pines Curated by Eom Seon-mi (director of the Gallery Pines) and Lee Jun-sang (director of the Gallery Sejul)

A word from Damhwa Seonchang (Zen Window of Damhwa)

No matter how politics may change, the people come first

Diplomacy Journal Kim Tae Yeon | Even when power shifts, the responsibility toward the people's livelihood must remain constant The idiom "Sangjeon Byeokhae" (literally "Mulberry fields turning into the blue sea") refers to a state of transformation so profound that the world becomes unrecognizable. This phrase resonates deeply when we look at our society today. The world, the times, and the face of politics are constantly changing. In a democratic society, it is natural for administrations, personnel, policies, and systems to change. However, amidst all these changes, there is one thing that must never be sidelined. It is the lives of the people. The reason for politics' existence does not lie in politics itself; its purpose is to ensure that the people live safe and peaceful lives. If political voices grow louder while the people’s sighs deepen, we must reflect on the true purpose of politics. While political factions expend all their energy debating right and wrong, self-employed individuals worry about daily sales, young people worry about jobs, parents worry about their children's futures, and the elderly worry about their health and livelihoods. What matters most to the people is not who shouts the loudest, but whether their lives are improving compared to yesterday. The people must always remain at the center of politics. There may be differing views in politics, and fierce debate and criticism regarding policies are necessary. However, no matter how intense the competition and conflict may be, the ultimate goal must always be the public interest and the well-being of the people. Defeating an opponent should never be the ultimate objective of politics. Resolving the hardships faced by the people and passing on a better nation to future generations is the true purpose to which politics should aspire. Buddhism teaches the concept of impermanence—that all things change. Power is not eternal; high office does not last forever, and neither honor nor popularity remains static. Therefore, those who hold power must never forget that their position is not permanent, but a responsibility entrusted to them by the people for a limited time. Even those who wield power today will eventually return to the life of an ordinary citizen. Thus, politicians should prioritize improving the lives of the people during their tenure over seeking to leave behind a famous name. True change does not lie merely in a change of political faces. It is only when the people’s tears are dried, their tables are more bountiful, hope is restored to the youth, and children can dream of a better future that we can truly speak of change. No matter how the political landscape shifts, the people must always remain at the forefront, not in the background. The people must come before politics, the public’s livelihood before partisan strife, and responsibility before power. A Message from the Chief Spokesperson “They say the world can undergo a transformation as drastic as mulberry fields turning into the deep blue sea. The political landscape, people, and institutions can all change with the times. Yet, in a world where so much is in flux, there is one thing that must remain constant: The principle that the people come first. Politics should not be about causing the people anxiety, but about alleviating their worries. Power should not be something to be seized for its own sake; it is a responsibility entrusted to leaders to help shoulder the heavy burdens of the people. Even when ruling and opposition parties hold differing views, they share a unified responsibility before the public. No matter how fierce political competition becomes, it cannot take precedence over the people’s livelihoods, jobs, safety, and future. Administration and power structures may change, but the fundamental truth that the people are the masters of the nation must never change. Politics must listen to the voices of the people first, reach out to those struggling the most, and build a tomorrow that is better than today. No matter how the political landscape shifts, the heart dedicated to the people must remain steadfast. The people come first. Public livelihood comes first. And the lives of the people matter more than power.”
2026-10-06 Kim Tae Yeon 기자

NEWS

K-Park Golf bridges generations, connecting people worldwide through health

- Bridging generations from their 20s to their 90s: "A healthy national sport for all the people to enjoy together" - From Republic of Korea to the world: "K-Park Golf--a future-oriented sport connecting the health of the peoples across the globe"

Diplomacy Journal Kim Tae Yeon | The Republic of Korea (south) now must try to prepare for an era of living long and healthy lives, moving beyond the simple goal of longevity. Public health is a crucial value that determines not only the individual happiness but also the sustainable future of families, local communities, and the nation itself. Amidst these changing times, Park Golf stands out as a recreational sport worthy of attention. Its appeal lies not in complexity or grandeur; one can start with relatively simple equipment, and the burdens of time and cost are significantly lower compared with traditional golf. Above all, it is a sports item deeply integrated into the people's daily life, allowing them to exercise while walking in nature and enjoy socializing with other people. I believe we should build upon this by infusing it with Korea’s unique, healthy, and mature sports culture to create a new future value known as "K-Park Golf." A Sports Item for Everyone, from Their 20s to Their 90s: We must move past the perception that Park Golf is a sport reserved for a specific age group. For those in their 20s and 30s, it can be a new leisure activity enjoyed without pressure in their daily lives. For those in their 40s and 50s, it serves as a recreational sport that combines health management with family leisure. It offers opportunities for a vibrant life and social interaction to those in their 60s and 70s, and even for those in their 80s and 90s—health permitting--it remains an activity that can be enjoyed at a pace suited to one's physical condition. Parents and children, or grandparents and grandchildren, walking the same course and applauding each other’s shots. This is precisely where the special social value of Park Golf lies. Sports where generations meet, not compete. This is the primary value that K-Park Golf should strive for. To become a national sport that delivers significant health benefits with minimal burden, accessibility is paramount. If a sports item requires extensive equipment, high costs and a large time commitment, it is difficult to spread as a recreational activity for everyone. Park golf, however, offers the advantage of being accessible with relatively low costs and simple equipment--allowing people to enjoy it by making use of their daily spare time. The ability to combine walking with the joy of the game is particularly significant. Rather than feeling a sense of obligation to exercise, players naturally move their bodies while spending enjoyable time with others. Walking after the ball, laughing at a good shot, and chatting with fellow players, every step of this process contributes to a healthy life style. Health is not maintained solely in hospitals. A healthy life begins with every daily step, the laughter shared with others, and the small joys that motivate us to step outside. A sports item that connects people: In modern society, human relationships are just as important as physical health. On the park golf course, people set aside their professions, social status, and ages to meet simply as fellow enthusiasts. Even strangers walk the same course, engaging in natural conversation and encouraging one another’s play. A single small ball can turn a stranger into a friend. Park golf goes beyond solitary exercise; it fosters social connections and community building, holding great potential as the kind of recreational sport our society needs. A ball brings people together, a step builds health, and a round creates new bonds. This is the true appeal of park golf as we see it. A recreational sports item that revitalizes local communities: The future value of park golf extends far beyond individual health. If a healthy and organized park golf culture takes root across the country, fostering active tournaments and exchanges among enthusiasts, it can breathe new vitality into local communities. Traveling to other regions for tournaments naturally leads to experiences with local cuisine, accommodations, tourism, traditional markets, and cultural facilities. In this way, the sport bridges tourism, culture, and the local economy. Therefore, future policies and cultural initiatives regarding park golf must not focus solely on increasing the number of courses. We must cultivate a mature recreational sports culture where local residents and enthusiasts coexist harmoniously, while also addressing safety, environmental concerns, proper usage etiquette, and intergenerational consideration. It is crucial to foster a high-quality park golf culture alongside quantitative growth. From a national sports item of Korea to a global recreational sports item: The future envisioned for "K-Park Golf" should not be confined to Korea alone. Just as K-Pop, K-Dramas, K-Food, and K-Art have connected it and Korea with global audiences to showcase the Korean culture, we now need to create a new "K-Sports" culture in the realm of recreational sports--one that can be shared with all the peoples of the world. Park golf transcends language barriers and people can play together regardless of the different languages they speak. With just a ball and a club, players can walk, laugh, and get to know one another. If international exchanges and friendly tournaments expand, park golf can evolve beyond a mere sports item into a platform for grassroots cultural exchange, connecting nations and their people. We can envision a future where Korea’s healthy park golf culture is introduced to the world, and where park golf enthusiasts from across the globe visit Korea to compete, tour, and experience our culture. Transitioning from a national sport of Korea to a recreational sport enjoyed by people worldwide, which is the next stage envisioned for K-Park Golf. Why "K-Park Golf"? To us, the "K" in K-Park Golf represents far more than just a single English letter denoting Korea. It embodies the values of a healthy sports culture in Korea, intergenerational consideration and harmony, a community spirit that connects people, and cultural exchange linking Korea with the rest of the world. "K-Park Golf" should be more than just the name of a sport; it must represent a vision for a new lifestyle culture. It should be developed into a sport where people from their twenties to their nineties walk together--an activity that is affordable and quick to enjoy, brings families and neighbors together, revitalizes local communities, and connects Korea with the global stage. To this end, *K-Park Golf News* will not limit itself to merely reporting match results and tournament updates. We aim to contribute to establishing a sound Park Golf culture by covering a wide range of topics: accurate information about the sport; stories of players, coaches, and enthusiasts; health and education; culture and arts; tourism and the local economy; and scenes of domestic and international exchange. Now, K-Park Golf is connecting people around the world through health. An individual's health leads to a family's happiness, and healthy families create healthy local communities. When healthy communities come together, we can build a better world. The small Park Golf ball reveals these possibilities to us. We walk to hit the ball, meet people while walking, share smiles with them, and craft a healthy day amidst that laughter. Therefore, the future value of K-Park Golf lies not simply in the number of participants, but in how many people it brings health and happiness, how many generations it connects, and how widely it fosters friendship across the globe. The time has come for K-Park Golf to embark on a vigorous journey from Korea to the world—connecting generations and people, uniting the world through sport, and linking the future through health. That is the future of K-Park Golf that we must build together.

“Special strategic partnership to leap forward through future Industries, livelihood cooperation”

At the Korea-Uzbekistan summit meeting in Seoul

Diplomacy Journal Kim Tae Yeon | The Republic of Korea and the Republic of Uzbekistan are coming closer and closer to each other thanls to the special interest shared by President Lee Jae-Myung of the Republic of Korea and President Shavkat Mirziyoyev of the Republic of Uzbekistan in the promotion of relations, cooperation and friendship between the two countries. On September 14 this year, President Lee Jae-myung held a summit meeting with President Shavkat Mirziyoyev of Uzbekistan at the Presidential Mansion of Cheong Wa Dae (Blue House) in Seoul. President Mirziyoyev was visiting Seoul in an official state visit. At the meeting, the two leaders discussed future-oriented cooperation measures to elevate the two nations' "Special Strategic Partnership" to the next higher level. This summit meeting took place during President Mirziyoyev’s state visit to Korea, which was arranged in conjunction with the launching of the Korea-Central Asia Summit. The two leaders reviewed the development of bilateral relations since the establishment of diplomatic ties and agreed to expand cooperation into areas such as transportation and logistics infrastructure, the defense industry, critical minerals, artificial intelligence (AI), healthcare, the environment, tourism, and education. President Lee noted that the two countries have cooperated closely across various sectors and steadily broadened the horizons of their relationship since establishing diplomatic ties. President Mirziyoyev also assessed the relationship between Korea and Uzbekistan as the closest and most exemplary partnership in Central Asia, expressing his commitment to further strengthening the momentum of this cooperation. At the summit meeting, Korea and Uzbekistan agreed to: --Expand cooperation in critical minerals, AI, and the defense industry --Launch "Korea Desk" and Business Council to boost the market entry of the Korean businesses to Uzbekistan --Exchange of 13 agreements and MOUs covering health, environment, tourism, and education Korea recognized the independence of the Republic of Uzbekistan on December 30, 1991, and diplomatic relations between the two friendly countries were established on January 29, 1992. According to the Korean Ministry of Foreign Affairs and other Korean diplomatic sources, Korea and Uzbekstan are two very special countries to each other with many areas for increased win-win coopertion for each other. The following are exerpts from their views: The Republic of Korea and the Republic of Uzbekistan are two very important countries to each other. Located in the heart of Central Asia, Uzbekistan is a nation with centuries of history and Silk Road traditions. Home to approximately 180,000 ethnic Koreans, Uzbekistan is a traditionally friendly country who shares many historical and cultural similarities with Korea. Since establishing diplomatic relations in 1992, Korea and Uzbekistan have developed a dynamic partnership across various sectors, including politics, the economy, society, culture, and science and technology. The mutual trust built through 21 high-level visits has laid a solid foundation for a close, family-like relationship between the two nations—a bond that has garnered global acclaim. Moving forward, Korea will continue to advance the "Special Strategic Partnership" between the two countries in promising sectors, guided by national interests and practical effectiveness, while striving to achieve tangible results that the people of both nations can truly experience. Economic ties between the two countries are growing day by day, expanding from traditional sectors—such as gas and power, energy, infrastructure, automotive manufacturing, textiles, logistics, and finance—into emerging fields like information and communication technology (ICT), 5G, rare earth elements, healthcare, pharmaceuticals, the bio-industry, airports, and high-speed rail. The number of Korean companies operating in Uzbekistan is also steadily increasing. Furthermore, the two nations are currently expanding cooperation in areas such as supply chains, national defense, climate change, and education. By Publisher-Chairman Lee Jon-Young, Special Feature Editor/Honorry Chairman Lee Kyung-Sik

Ranking News

Global

Diplomacy

Local

Arts-Culture

Business

Photo

Journal

Address: Doosan We've Pavilion 1203, Sambong-ro 81, Jongno-gu, Seoul
Date of first registration: Founded in 1996 as UN News, changed its name to The Diplomatic Journal in 2009
Registration No.: Jongno Ra00125/ Registration Date: 2009-04-14/ Registration Number: Seoul 아54606 / Registration Date: Dec. 13, 2022
Publisher: Damwha Media Group Chairman Lee Jon-young
Editor in Chief: Lee Jon-young/ Vice Chairman: Chung Bo-won/ Standing Advisor Lee Keon-chan / Senior Editorial Writer Ko Jae-hwe / Editorial Writer Lee Se-hoon / Cultural Editor Lee Joon-seok/ Political Editor Lim Han-choong/ U.S. Branch Head Kim Joon-bae/ Business Editor Kayla Lee
Phone number: 02-3417-1010 | 02-396-5757
E-Mail: djournal3417@gmail.com

UPDATE: 2026년 10월 08일 17시 03분